The third season of Grasp of None opens with Lena Waithe’s Air Jordan 1s prominently displayed, and her footwear stays entrance and middle during the narrative. Aside from her huge sneaker assortment, the Emmy Award-winning actress, who performs the lesbian creator Denise within the hit Netflix collection, sports activities Gucci slides and the much-ballyhooed Yeezy Foam Runners — dubbed “Yeezy Crocs” as a consequence of their uncanny resemblance to the ubiquitous rubber clog — all through the 5 episodes.
Denise and her companion, Alicia (Naomi Ackie) are the celebrities of the present this go-around, which takes place in a bucolic nation house in upstate New York. Although miles away from metropolis life, every character has her personal distinct, rigorously curated type: Denise channels basic hip-hop, whereas Alicia is extra eclectic and experimental — the garments are the right distinction to the ladies.
Right here, Grasp of None costume designer Kate Forbes discusses collaborating with Lena Waithe, sourcing LGBTQ+ designers, and the Yeezys.
POPSUGAR: Denise and Alicia have very completely different aesthetics. Was that intentional?
Kate Forbes: Denise has a basic hip-hop type occurring — she’s all about consolation, simplicity, and severe bling, however her look remains to be super thought-about and thought by way of: the colours, the textures, the mixtures . . . there’s an consideration to element in her look that is actually delicate however by no means neglected. Alicia has an eclectic, bohemian type — realizing her love of antiques and the way in contact she is along with her cultural heritage gave license to mix so many components from so many eras and sources. She is a personality who loves garments and expressing herself by way of how she clothes — she’s captivated with discovering distinctive items and placing them collectively!
PS: How a lot did Lena and Naomi’s private type affect their characters’ respective appears to be like?
KF: Lena has robust private type, and I cherished how her hip-hop influences contrasted so strongly with Denise and Alicia’s antique-filled, characterful nation pad. I performed extra with colours, textures, and delicate type decisions to construct her character’s development over the season. Naomi was completely open to my concepts and actually passionate about discovering an authentic type for Alicia that embraced all her character’s traits and tradition; her sense of enjoyable, loyalty, and love of arts and antiques. It was additionally vital to construct in a few of her African heritage, as Naomi wears head wraps in her private life. We embraced that and labored loads with wraps and turbans, each classic and in nice African prints.
PS: Lena’s socks and sandals look could be very apropos for COVID occasions. Did pandemic dressing affect the wardrobe?
KF: Clearly it does have an effect on your day-to-day on set and in fittings, and given the collection of lockdowns it restricted how we may store, however as far as Lena’s socks and slides go, it was actually simply a part of her homie look and a component that I actually loved ending her outfits with!
“Lena used her private wardrobe on events the place she felt it was proper for the outfit.”
PS: Which designers did you look to?
KF: Lena advised a number of youthful manufacturers that she was eager to offer publicity to, a lot of which cater to the LGBTQ+ neighborhood, like Stuzo, Pyer Moss, Melody Eshani, and Tomboyx. Nike and Gucci additionally offered us with some product for Denise’s wardrobe. The remaining was an actual combine from excessive street and boutiques: Wax London, Reiss, Stussy, Dickies, and Carhartt. We used a variety of Zara menswear for [Denise’s] staples and repeated her appears to be like a number of occasions, too. For Naomi, I started with classic items — many from a rental firm in London referred to as Modern Wardrobe — and others picked up in boutiques and markets in London. Then I supplemented with some nice African-designed items from Ace Hackey and Samson Soboye, some excessive street necessities, trendy print pajamas from Desmond & Dempsey, and a luxurious silk set from Liberty London for the ultimate episode.
PS: Do you may have a favourite look from the season?
KF: It must be Alicia’s “dangerous bitch” look within the scene with Dr. Perkins — the Samson Soboye African print jumpsuit. I am unhappy that you do not get to see extra of it. It is super comfy, easy, and mega-stylish all of sudden. She felt like a foul bitch carrying it and everybody who noticed it on her simply cherished it!
PS: Have been there any items included from Lena or Naomi’s personal closets?
KF: Lena used her private wardrobe on events the place she felt it was proper for the outfit. The Yeezy trainers would not have been my first alternative, however she obtained them in there! Naomi’s sequin bodysuit used within the failed seduction scene was a bit she owned — she was super blissful to put on it as a result of she by no means had earlier than, and it was simply excellent for that second. Naomi really stored most of her costumes after we wrapped. She had actually fallen in love with a variety of the items and did not wish to say goodbye.
Maintain scrolling to see some standout stills from Grasp of None season 3, now streaming on Netflix.
This interview has been edited and condensed for readability.